Legitimacy

They say that it only takes two things to be a writer: to write, and to call yourself a writer. But I can now tell you that there is an undeniable joy and pride that comes from seeing your work printed in a book. A book that two very senior scholars had the idea to write, and asked me if I would contribute a chapter to it. And when I said yes, they then read and carefully edited my words and tightened my argument, and then sent it to the UK where a person agreed it was worth publishing and spent a lot of time and energy laying it out in a fancy book-printing computer program, and then sent to a big book-making factory and had it bound up. And now it costs $53.70 on Amazon and is ranked #1,428,714 on the site's best seller list (but is boosted up to #1416 in books about African American history). 

IMG_0709.JPG

I was working from my dining room table yesterday afternoon when my husband came home and brought in the mail. After weeks of waiting, the book had finally arrived--and I was in the middle of working and it had been a long, long day and I just threw up my hands and said "finally!" and went along with what I was doing. What was a little more waiting, at this point?

The chapter that I contributed to this book originated from a year-long seminar I participated in during the 2014-15 academic year. I began the research in the fall of 2015, completed a draft in August of 2016, and did three rounds of revision and submitted a final version by the end of that year. In the spring and summer of 2017 I made final edits and approved the page proofs. The book was finally released in December 2017, but a printing delay meant that my copy was not sent out until mid-March. And then it took three weeks to ship from the UK. If you had told me that I would not see the fruit of this labor for four years, I probably never would have done it. Yet that's fairly typical for academic publishing, and realistically it would have taken a fifth year if I had submitted it to a journal.

So I left the book sitting on the table while I finished working, ate dinner, and watched Sunday night's episode of Silicon Valley with Kevin (so good!). Before leaving to meet a friend to see Viet Than Nguyen speak, I scooped it up and threw it in my bag. We arrived early enough that I had time to show her before the event started. Her enthusiasm was contagious, and after she insisted on taking pictures of the book I began flipping through to find my chapter.  You might be surprised to know which page made me verklempt.

IMG_0711.JPG

I created this chart and table in Excel and I am not being self-deprecating when I say that the originals are amateurish and lacking in aesthetic merit. So when I opened to this page in the book, and found that they looked professional and "like what a chart in a book should look like," it drove home the point that I had actually done something legit.

So my eyes watered a little bit, though I did not actually cry, and I spent a few seconds saying something dumb like "wow, huh, wow" before pulling it together and changing the subject. 

After the talk I came home and before I went to sleep I placed the book on the table next to my bed. When I got up this morning I put it in my bag and carried it around with me all day. This afternoon I brought it to show my therapist. But I think by tonight I'll be ready to find a nice home for it on a bookshelf. 

I never was a kid who really knew what she wanted to be when she grew up, but I was always writing--journal entries, awful short stories and poems, school papers, personal essays, letters to friends, and later blogs, and newsletters, and a dissertation. So this book does not quite represent my actualization into the person I dreamed I could be. Instead, it underscores what I already know: I've become a writer. 

 

The Week of Passover and Palm Trees

I flew back from Florida late last night, and unsurprisingly it is not as warm here in Pittsburgh. That's the only stain on what has otherwise been a banner week:

  • I launched Brisket...
  • Lady Parts met its crowdfunding goal and got the green light...
  • Swamp Head Brewery celebrated it's 10 year anniversary...
  • I finally met Rose, the five-month-old daughter of one of my oldest friends...
  • I spent Passover, a socially and ethically meaningful (if culinarily unenjoyable) holiday with my parents, sister, husband, and old family friends.
April 7, 2017

April 7, 2017

This all felt even more significant because yesterday marked one year since the day I officially handed over my dissertation and was certified for graduation. So in the midst of these celebrations of new endeavors and commemorations of past struggles, I spent a lot of time this week reflecting. 

This year was one of unparalleled growth. I have endlessly surprised myself by going after opportunities, experimenting with business ideas, and being open to new people. It's a bit mind- boggling to realize that I have 15 new friends and colleagues who I regularly turn to for advice and inspiration, all acquaintances I made since finishing my PhD. Moreover, since unburying myself from what can only be described as the "blah" of graduate school, I feel like my relationships with old friends and with my family have deepened. It's this connection and community that has made this year the best of my life, and out of all that I've accomplished this year it's what makes me proudest. So I have to thank you all for your trust in me as a friend and as a colleague.

Another really great development in my life since last April has been finding time to once again read fiction. Exactly one year ago today, I cracked open Nathan Hill's The Nix and lay in bed reading with a glass of wine. The books have changed over the past twelve months, but the venue and beverage have stayed fairly constant. 

April 8, 2017

April 8, 2017

Here's what captured my attention this week...

I'm reading: more books at one time than I've ever read before. I'm still working my way through Adrienne Rich's On Lies, Secrets, and Silence: Selected Prose, currently enjoying her feminist reading of Jane Eyre. It's been about 15 years since I've read that classic, and I'm wondering if it's time for a second go at it. I'm also half way through a brand-new YA fantasy book by Nigerian-American author Tomi Adeyemi. Children of Blood and Bone is set in Orisha, a land where majis have been stripped of their magic by a king who was threatened by their power. It reminds me a lot of The City of Brass by S.A. Chakraborty, which I read earlier this year--but instead of being set in a world informed by Islam and by Arab culture, Orisha is clearly inspired by Afro-Brazilian religions and culture. So far I'm really liking it for its fast-paced plot and for the mellifluous Yoruba language that Adeyemi has incorporated into the story. 

I am also two chapters into I Hotel by Karen Tei Yamashita. This book has been on my to-read list since my husband's friend Adam Dalva reviewed it favorably on Goodreads. It's a novel that plays with form, which I generally like, and it's set in San Francisco during the Civil Rights struggles of the late 1960s and early 1970s. More updates on this one to follow.

Finally, I am also dipping in and out of Peniel Joseph's Waiting 'Til the Midnight Hour: A Narrative History of Black Power in America and Marie Kondo's The Life Changing Magic of Tidying Up. How's that for contrast? 

I'm listening to: another old favorite, Amadou and Mariam's Dimanche a Bamako, inspired by Children of Blood and Bone and Black Panther. 

I'm watching: The new season of HBO's Silicon Valley. I loved the first two seasons so much, but the third was meh. Last season recovered somewhat, and I'm hoping that season five is a return to form. The pilot delivered a handful of funny moments, but it remains to be seen whether the show can survive the exit of vulgar, narcissistic Erlich Bachmann. The pilot indicated that housemate Jian Yang will step in to fill the vacuum Bachmann left behind, which I think is a brilliant move (and I'm also looking forward to reading actor Jimmy O. Yang's new book How to American: An Immigrant's Guide to Disappointing Your Parents). 

What are you reading, listening to, and watching this week?

The Week of Serving Brisket

Brisket Vol. 1, No. 1 launches tomorrow and I am excited and nervous, preoccupied and obsessing. Between the newsletter and preparing for Friday night's Passover seder--where a brisket was served, of course--my week was spent writing, editing, designing, cleaning, cooking, and posting to social media. So this week's post is on the light side, but consider it an hors d'oeuvre before the big entree tomorrow. 

IMG_0669.JPG

Here's what captured my attention this week...

I'm reading: On Lies, Secrets, and Silence: Selected Prose by feminist poet and essayist Adrienne Rich, gifted to me for graduation by a thoughtful family friend. I was searching for inspiration this week and picked it off my shelf of books-to-be-read. As I wrote on the Brisket Patreon page, I am struck by Rich's preoccupation in this collection with a "culture of passivity." For Rich, the women's movement had to reject passivity if it was going to "name and found a culture of [women's] own." When I picked up the book I was only looking for a good example of the essay form to use as a model and learn from--which On Lies, Secrets, and Silence definitely provides--but I also found a great model for how to quietly but forcibly roar.

I'm listening to: an old, sentimental favorite, Billy Bragg and Wilco's Mermaid Avenue. I listened to this album all throughout college and confess that when I listen to it now (as well as to Bon Iver's To Emma, Forever Ago) I am overwhelmed by that feeling that you get when you stare out the window of a train or an airplane. Wistfulness? 

I'm watching: Nothing new! Yesterday afternoon I took my mom to see Black Panther, and it was just as good the second time. 

What are you reading, listening to, and watching this week?

Brisket: Monthly Essays Cooked Low and Slow

Next Monday, April 2, I will debut Brisket Vol. 1, No. 1. It's not a new magazine, or webzine, or even a website. I'm calling it a newsletter because each month I will share a new essay with readers (plus some extra content related to that essay's theme). My hope, however, is that it becomes more than an essay in your inbox every four or five weeks. I have the great fortune in life to be surrounded by dynamic, thoughtful people who enjoy conversation. Brisket is a dish to gather around and talk, perhaps at first about the monthly essay but eventually about the messy, emotional, and weird experience of being human.

That's why I have chosen Patreon to host Brisket. Patreon is a platform that allows creators to build communities around their work. By pledging to Brisket, patrons can post and comment on Brisket's feed (similar to the Facebook timeline feature) and have a conversation with me and other readers. 

The other reason that I decided to launch this project on Patreon is because I want to do the kind of work that freelance writers rarely get to do: write meaty essays that are neither pegged to the news cycle nor broadly appealing enough to be evergreen. At Brisket's core is a monthly essay on a topic that has preoccupied me recently, enough so that I sat down day after day and fought to answer my own questions. These are essays that I craft while pacing back and forth across rooms talking to myself, that require many long stretches of staring off into space, and many phone calls to friends to try and work through the ideas. They are not necessarily deep or profound as a result (though some are). Writing is just difficult, time-consuming work. Patreon puts a community of devoted patrons behind their creators to make sure that the work gets done!

If you have been enjoying my Sunday morning roundup posts, or what I've been writing over at The Metropole, then Brisket might appeal to you. 

For the first month only, I'll be sending out a short excerpt of Brisket to everyone on the mailing list. Feel free to sample before you throw me some bread. 

Feeling too full to partake of Brisket? You can still catch a glimpse behind the scenes by following Brisket on Instagram, Twitter, Facebook, and Litsy!

I look forward to sharing Brisket  with you, and hope you will share Brisket with any and all friends, family members, coworkers, neighbors, or bookshop owners who you think might be interested in this project! See you around the metaphorical dining table soon...

Avigail

The Week of "Spring"

Like many areas of the northeastern United States, Pittsburgh spent its first day of spring digging out from under 10 inches of new snowfall. As it has melted over the past two days I have seen a few courageous crocuses poking out from the ground... but it feels like we are still far from that idyllic spring moment when every park and garden is filled with daffodils and tulips. Maybe next week. 

The seasons may not be cooperating, but I am springing ahead on a new project--and it directly stems from these Sunday morning roundups. I began writing them in September, a point at which I found myself without much to say about either my academic work or my new business. I thought these weekly posts could provide some filler content to keep my blog updated; I wanted to give the impression that my site was active. 

Almost immediately, I realized that these posts clearly were more than filler. They inspired me to find new books, articles, albums, podcasts, movies and television shows to talk about each week. I began spending time thinking critically about what I was reading, listening to, and watching, so that I could write reviews that were informative and evaluative. And then, I began hearing back from readers that I didn't think ever read my blog that they had taken my recommendations and liked them! On Friday, for example, I had drinks with a longtime colleague who downloaded Fates and Furies onto her Kindle at the airport after reading the post where I described finishing the novel on my flights back to Pittsburgh. She loved it, although we had very different interpretations of Lotto and Mathilde's marriage. 

These Sunday morning roundups also eased me back into a regular writing habit, and more importantly they gave me a chance to practice writing about topics other than history (and for readers who were not only historians). I began sitting down for an hour each morning to write, and so, while you have been reading these posts from week to week, I was also writing essays. They all started with questions that were preoccupying me. What is a public intellectual? Why is it relaxing to watch other people clean? Why are all of the historians I most admire Jewish? I wrote and wrote and wrote until some were done and I felt satisfied that I had answered the question. The others? Well those may take more time. 

I was left wondering what to do with these essays. They didn't really fit with the interests or voice of any publications I was familiar with, and are not on topics that are particularly newsworthy. But I knew that there was an audience out there for them, because they are written in the same voice and with the same thought and care that I put into the Sunday morning posts that inspired them. So I came up with an idea that I will announce tomorrow.

Before the snow

Before the snow

Here's what captured my attention this week...

I'm reading: I struggled to get into a new book after finishing The Soul of an Octopus. I sat down most evenings with a book and ended up watching YouTube videos on my iPad. Yesterday it occurred to me that my tired brain might just needed a good thriller--a fast paced, plot-centric mystery--and I picked up and proceeded to devour all 308 pages of Ruth Ware's In A Dark, Dark Wood. The premise is that, after ten years of not speaking to her ex-best friend Clare, the protagonist Nora agrees to attend Clare's bachelorette weekend. In an incongruously modern glass house in the middle of the Northumberland woods, Nora finds out that she has not shed her past as thoroughly as she thought she had... and then finds herself a suspect in a crime. A useless description, I know, and I'm sorry--but why spoil it for you? I found the book to have the right amount of puzzles and twists. I felt pretty sure I knew who committed the crime, but not so sure that I lost interest. My main complaint is that Ware literally incorporates Chekhov's gun into the plot. I found it amateurish and hard to overlook. 

I'm listening to: Akimbo, the new podcast from Seth Godin. For those unfamiliar with Godin, he's a "motivational influencer" who had a long career in marketing before transitioning to writing business books. I've found some of his advice helpful over the past year as I've tried to better understand my value and position my business accordingly. I've been enjoying Akimbo because it pushes back on some common misconceptions about how business should work: you need to have a big idea, hold a grand opening, market to a huge audience. In these short episodes, Godin argues that you really should start small and work with a committed, enthusiastic base of customers who will help you iterate on your idea and improve your business. It's a reassuring message to hear, and I recommend it to anyone who is trying to start a public-facing project--these lessons are as applicable to academic or not-for-profit endeavors as they are to entrepreneurial ones. 

I'm watching: Last night we went with friends to see The Death of Stalin, the new satirical film from (former) Veep showrunner Armando Iannucci. We went to get drinks beforehand and arrived at the theater late enough that the only seats left were in the first row. Despite craning our necks and feeling like we could see up the noses of all the actors, the movie got two thumbs up from all four of us. If you like the distinctive patter and physical comedy of Veep, you will also enjoy this film. I would also like to note that the two non-historians in our quartet knew nothing about Soviet history and it did not diminish their enjoyment. I do think I got a bit more out of it having recently read Paul Goldberg's The Yid and Amor Towles's A Gentleman in Moscow. Stalin's death is an essential plot point in both novels as well, and so I was familiar with the foibles of Molotov and the machinations of Khrushchev. Between these two novels and The Death of Stalin, I've read/watched three fictionalizations of this period in as many months--perhaps I have an unconscious desire to better understand Russia, considering how dominant the country is in our national politics right now. 

What are you reading, listening to, and watching this week? And check back tomorrow for a big announcement.